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<oembed><version>1.0</version><provider_name>NADAAA BLOG</provider_name><provider_url>https://www.nadaaa.com/blog</provider_url><author_name>Nicole Sakr</author_name><author_url>https://www.nadaaa.com/blog/author/nsakr/</author_url><title>Victor Lundy: Artist Architect - NADAAA BLOG</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.nadaaa.com/blog/victor-lundy-artist-architect/"&gt;Victor Lundy: Artist Architect&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.nadaaa.com/blog/victor-lundy-artist-architect/embed/" width="600" height="338" title="&#x201C;Victor Lundy: Artist Architect&#x201D; &#x2014; NADAAA BLOG" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>&#x201C;Lundy&#x2019;s built work denies signature in the form of a singular voice; he lets the natural&#xA0;grain of raw matter, the texture of its aggregation, and the malleability of different materials help determine the aesthetic sensibility of his buildings. Consider the Unitarian Meeting House in Hartford, Connecticut, or the IBM Garden State Offices, in Cranford, New [&hellip;]</description><thumbnail_url>http://www.nadaaa.com/blog/wp-content/uploads/2018/10/Victor_Lundy_cover_blog-576x724.jpg</thumbnail_url></oembed>
