Daniels Building Opening Featured on Urban Toronto

Posted on November 17th, 2017 by Nicole Sakr

Posted under: _Daniels Building, Events

Read about the Daniels Building’s big opening HERE!

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The Daniels Building toured on Toronto Morning Show

Posted on November 17th, 2017 by Nicole Sakr

Posted under: _Daniels Building, Press

Watch HERE!

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The history of One Spadina laid out in The Globe and Mail

Posted on November 16th, 2017 by Nicole Sakr

Posted under: _Daniels Building, Press

 

Globe and Mail writer Dave Leblanc discusses the history of the circle where the new Daniels Building sits with Dean Sommer.

“So it’s a kind of witness to the transformation of the city but also this didactic or pedagogical lesson in architecture as something that starts out as uptight, British, a cloister for enlightenment, then becomes a laboratory, and now, let’s say, something creative,” Dean Sommer offers.

Read the Full Story HERE.

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Katie at ‘Toronto Lost and Found’

Posted on November 3rd, 2017 by Nicole Sakr

Posted under: _Daniels Building, Academic, Events

Katie joined Dean Richard Sommer of the Daniels Faculty to welcome Toronto city staff and local designers for a tour of our new Daniels Building at One Spadina. They were joined by Michael McClelland of ERA Architects, the project’s heritage consultant. The tour was followed by a student-focused panel discussion “Toronto Lost and Found: Redefining the City’s Built Heritage” which included panelists Susan Macdonald, Patricia McCarney, Paul Bedford, and Mary MacDonald.

The panel was streamed on FB Live and can be viewed HERE.

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Daniels Building featured in Wallpaper*

Posted on November 1st, 2017 by Nicole Sakr

Posted under: _Daniels Building, Press

Read Wallpaper*’s piece HERE.

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Rock Creek House in Arketipo

Posted on October 27th, 2017 by Nicole Sakr

Posted under: _Rock Creek House, Press

Rock Creek House is featured in this month’s issue of Arketipo. Laura Malighetti writes: “Il processo di ripensamento dell’edificio coinvolge in modo radicale proprio questi ultimi “mantenendo il fantasma dell’ordine esistente” […] Le aperture originarie, infatti, subisscono allargamenti, restringimenti e slittamenti che trasformano le facciate in una composizione astratta e irregolare di forature.”

Read the full feature in Italian HERE.

 

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DFALD Featured in AA School of Architecture News

Posted on October 25th, 2017 by Lisa LaCharité

Posted under: _Daniels Building, Press, Things We Like

AA School of Architecture news features DFALD and ’87 alumnus Nader Tehrani.

“His design for the Daniels Faculty of Architecture, Landscape, and Design features an origami-like floating roof creating floodlit studio and social spaces below…”

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Canadian Architect Cover Story: The Daniels Building

Posted on October 19th, 2017 by Nicole Sakr

Posted under: _Daniels Building, Press

The Daniels Building is Canadian Architect’s October cover story!

“respectful and strikingly new, restrained and yet dramatic”

writes Ken Greenberg, Read the full article HERE

cover photo by Nic Lehoux

article photos by John Horner

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The University of Toronto Tops Maclean’s

Posted on October 16th, 2017 by Nicole Sakr

Posted under: _Daniels Building, Awards, Press, Things We Like

Maclean’s has ranked the University of Toronto as Canada’s Top School by Reputation. In their article they site the Daniels Building:

“The most recent addition to U of T facilities is One Spadina, the new home of the John H. Daniels faculty of architecture, landscape and design. Designed by acclaimed architects Nader Tehrani and Katherine Faulkner, the glass-fronted, zigzagging concrete structure has been lauded by the Globe and Mail as “one of the best Canadian buildings of the past decade.”

-Jennifer Goldberg

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PETER SEALY PREVIEWS DFALD FOR ABITARE

Posted on October 2nd, 2017 by Nicole Sakr

Posted under: _Daniels Building, Press

“The relationship between Principal Hall and its neighbouring spaces provides an example of what is perhaps NADAAA’s greatest contribution to this spectacular project: their remarkably deft and judicious ability to orchestrate frequent and meaningful changes in scale […] a succession of spaces, each correctly calibrated for its own needs, yet arranged so as to produce vivid sectional shifts.”

 

 

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