FRAME’s Peter Maxwell writes on how this year’s design schools’ graduation shows have reinvented the digital format. One of Maxwell’s key examples of how institutions are creating ambitious digital exhibitions is The Cooper Union’s EOYS: “Other schools have gone one step further, radically rethinking the modes of production of the show itself. In New York, The Cooper Union’s end-of-year show, which includes work spanning all five years of undergraduate design studios, is being displayed in a surrealized version of the historical building in which the school’s classes, studio spaces, and exhibitions are (in better times) held.”
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