Spaghetti-like steel captured by Stefan Mee of John Wardle Architects, NADAAA’s collaborator on University of Melbourne FABP.
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Spaghetti-like steel captured by Stefan Mee of John Wardle Architects, NADAAA’s collaborator on University of Melbourne FABP.
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Nader Tehrani will be lecturing on November 21st, 2:00pm at Kuwait University.
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Model Home Gallery is featured in the current issue of The Plan: Architecture & Technologies in Detail. Check it out on the cover! Download the article here.
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Negotiating the relationship between datum, display and surface, Aesop Toronto, Yorkdale comprises fiberboard layers spaced consistently from the floor to the top of the display region. The layers create the demising wall as well as the cantilevered shelves for the display of specific product lines. Utilizing the same tectonic logic, the basin is housed within a block of stacked layers, routed and cut to accommodate the various components of the demonstration area.
A highly efficient architect-as-fabricator delivery model minimized costs for the client, facilitated an accelerated project schedule, and guaranteed adherence to design intent. As pressures of construction and installation were incorporated into the design process, the digital design model became a virtual “shop drawing.” This synthesis allowed the fabrication team to strategize construction methodology, material procurement, and installation procedure simultaneously with design development. Our in-house fabrication capacities here at NADAAA sponsor a feedback-loop between digital design and construction processes, challenging developing architectural concepts with the rigors of physical production in an immediate and informative way.
Custom pieces are cut on NADAAA’s CNC router for assembly in-house.
Large components, sized for ease of installation, are stacked to form the shelving wall.
A plasma-cut steel element for holding tubes of product is welded together and nested in the shelving.
The installation team reassembled the millwork in Toronto overnight.
Through form and material sensibility, the installation establishes a distinct merchandising voice.
The width and position of the shelves respond to the requirements of specific product lines.
Functional detailing is integrated into the broader project form, as shown in the draw pull detail.
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Boolean Valley, Nader Tehrani’s 2008 installation with potter Adam Silverman, is one of the works featured in recently published book Adam Silverman Ceramics.

Image courtesy of www.atwaterpottery.com
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Below is a list NADAAA Alumni, some of whom are featured in the gallery above:
Alana Folsom, Alda Capi, Amara Abdal Figueroa, Aminah H. Alkanderi, Andrea Pompili, Austin Jarvis, Caitlin M Scott, Craig Chappel, Dane Asmussen, David Richmond, Dominique Asnault, Ellee Lee, Ergys Hoxha, Galo Canizares, Ghazal Abbasy-Asbagh, Haydee Casellas, Hussa Al Hassawi, Iman Amini, Jalisa Joyner, James Juricevich, Jin Kyu Lee, Joana Rafael, John Chow, John Houser, John Mars, Jonathan Palazzolo, Kelly Pierson, Kevin Lee, Kian Hui Lan Yam, Laura Williams, Leonidas Pierson, Marta Guerra Pastrian, Mazyar Kahali, Mehdi Alibakhshian, Mohammed Almutawa, Monica Burckhardt, Nick Safley, Noora Al-Musallam, Peter Osborne, Parke Macdowell, Rawan N. Alsane, Ryan Gagnebin, Ryan Murphy, Samuel R Jacobson, Sarah Dunbar, Sarah Hirschman, Sasa Zivkovic, Sergio Verrillo, Sharon Xu, Shahad Khalifa, Shiyu Wei, Sia Herr, Sina Mesdaghi, Stephen Saude, SunMin May Hwang, Suzanne Costello, Tammy Lee Teng, Todd Fix, Tom Beresford, Wesley Hiatt, Yewona Chun
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NADAAA designed one of 10 “urban follies” for Gwangju Design Biennale 2011 which also became a permanent installation after the event.
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See photos from the Catalytic Structures: Transformed Types at the University of Maryland School of Architecture, Planning & Preservation Kibel Gallery, open from Oct. 21, 2013 to Jan. 10th, 2014.





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Nader Tehrani will be lecturing on November 5th, 6:30pm for the Graduate Admissions Open House at the University of Toronto Daniels Faculty of Architecture, Landscape and Design.

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