Neither submerged under the pressure of contemporary fascination with technology, nor the historical reliance on history as the basis for legitimization, their conversation with types is at once generic and practical but also more importantly the site of deformation, mutation and critical re-evaluation –in short, architectural invention.
Nader writes on OBRA’s work, read the full essay HERE.
Exquisite Corpse by OBRA Architects at Architektur Galerie Berlin, on display through October 22.
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