FLEXIBLE CLADDING – MATERIAL STUDIES

Posted on January 8th, 2014 by pmacdowell

Posted under: construction, Installations + Exhibitions, NADLAB

The architectural explorations of NADAAA are launched with a bias towards material behavior—tapping into a material’s predisposition, whether it is malleability, translucency, structural rigidity or another property. These properties, in turn, offer geometric opportunities, freeing up the architectural figure from the constraints of the orthogonal box, while also enabling a more reciprocal relationship between form and program, figure and organization, or function and envelope.

Our in-house fabrication capabilities allow us to interrogate our conceptual inclinations toward material in immediate and physical ways.  Our interest in flexible, shingled cladding systems has spurred several trajectories of material exploration, shared below. These preliminary exercises inform our design process, catalyzing the dialogue between ideas, materials, tools, and making.

This work is currently exhibited at the SCIN Gallery in London.

 

1Flexible composite panel: Cherry veneer bonded to a rubber substrate

 

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Flexible composite panel: Silicone rubber, cast in a digitally fabricated mold, reinforced with steel wire mesh.

 

3Flexible composite panel: Translucent urethane rubber, directionally-reinforced with stainless steel wire.

 

4The flexible composite panel pairs the malleability of silicone rubber with the strength of stainless steel.  The panel’s translucency reveals the architecture of its directional-reinforcement.

 

NADAAA_021:4 scale rainscreen mock-up.  The flexible shingle displayed in this system is a wood veneer laminated to a recycled rubber substrate with marine epoxy.  The veneer is sealed with satin exterior-grade polyurethane.  Dims: 45″ x 30″ x 15″

 

NADAAA_03Full-scale flexible shingle made of translucent silicone rubber, directionally-reinforced with stainless steel rods.  The panel is hung from a steel frame with integral lighting.  Dims: 45″ x 30″ x 5″

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Geometry emerges as negotiation between material and fabrication processes, while also proving to be a figurative device that is larger than the sum of constructive parts. As such, as the research develops from the scale of the installation to the scope of buildings, the complexity of wall and assembly systems assume broader responsibilities, synthesizing environmental aspects of the building with programmatic goals while also addressing the civic presence of the building within its context.

THU_REN_019aOur concept proposal for Thunder Stadium features flexible-shingled cladding similar to the prototypes shared here.  The project employs this versatile  envelope toward the reconciliation of various forces: materials, tectonic systems, programmatic pressure as well as the urban presence of the stadium within the historic core of St. Paul.

 

 

 

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NOTES FOR THE NEW YEAR

Posted on January 6th, 2014 by Katie Faulkner

Posted under: Competitions

On January 2, NADAAA turned three years old, which seems as good a time as any to look back on 2013 and look forward to the New Year. While we never forget our legacy of Office dA, we annually set goals that surpass achievements and provide opportunity to expand our craft. Over the past year, the paramount objective remained to enable the designs to be built, with a close second being the expansion of our fabrication lab to both inform the design and support the first objective of GETTING IT BUILT. Thirdly, NADAAA continued to expand globally, with projects in Melbourne, Toronto, Villa Varoise. Tropez, and Kuwait. Closer to home, the office sought to more boldly occupy our Lower Roxbury address by renovating our storefront, as well as work with Urbanica toward the successful development of Melnea Cass’s Parcel 9. As a gift to both our peers and ourselves, we endeavored to invite the broader public to scheduled gallery shows as a way to inspire conversation and debate regarding the potential of Architecture. KuwaitHouse_SM

KUWAIT HOUSE: A complex residential organization, the result of nuanced mediation between public, private and services area.

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1920 WASHINGTON ST: NADAAA facade opens up onto the street with eyes wide open.

Building the Parts and the Whole  Several projects were completed: Cornell Bridges, Beacon Street Residence, 57 East Concord, and SGH NY Office and Furniture. For Aesop USA, we delivered stores in East Hampton, Toronto, Venice Beach, San Francisco, and Hong Kong. This was the first year that we detailed, fabricated, and installed significant components of our design work, a trend that began with Aesop Toronto. During the last quarter of the year our team enjoyed the success of executing a full scale mock-up of a simple-to-install but complex-in-appearance gypsum ceiling – demonstrating to the Construction Manager the system’s feasibility, and resulting in a significant cost reduction of the sub consultant’s estimate.

Reaching Globally  Architecture has always been an international profession, made more possible than ever through digital platforms and teleconferencing. New opportunities were explored in Saudi Arabia, Basra, and Tehran, while ongoing work continued in France. Two competitions were entered: a tower for Parramatta, Australia; and a chapel in Ireland. Phase One of University of Toronto, Daniels Faculty of Architecture, Landscape and Design broke ground in June; University of Melbourne Faculty of Architecture, Building and Planning proved to be moving well ahead of schedule with substantial completion anticipated in 2014.

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CORNELL BRIDGES: Safety mesh barriers work in tandem with structural configurations to form a new figure over the ravines in Ithaca. Photo by John Horner

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CENTENARY CHAPEL: A concrete suspension structure forms the vault for the funerary space of mourning.

Working in the Neighborhood  We had mixed success in our own back yard. On the one hand there were multiple successful exhibits; we kicked off 2013 with PINNED UP, an exhibit demonstrating the developments of NADAAA’s work. In April, NADAAA introduced Drawing Surfaces: Computing and a Vintage Pen Plotter. The November show, Makers in the Making, featured the work of six MIT faculty who share a progressive stance toward their respective disciplines.

Becoming more involved in the urban design of our own city is a goal to carry forward. Watching much of the current Boston construction from the sidelines, we remain committed to proving that excellent design does not burden Project Costs. Like everyone else in town, we are watching the transformation of Dudley Square thanks in part to the renovated Ferdinand’s Building, and we remain confident that our block is not far behind. A small contribution will be the storefront development (the design for which is complete, provocative, and approved by the Washington Gateway Main Street) of our offices at 1920 Washington Street. A larger stake would be the commencement of Parcel 9, a mixed used development on Melnea Cass Boulevard featuring a hotel, housing, retail and underground parking.

Finally, the greatest achievement of 2013 remains the collective talent of NADAAA employees, who take the firm’s ambitions as their own, and somehow make possible the impossible. Their abilities, ingenuity, and hard work continue to amaze our clients as well and Nader, Dan, and me.

May all of you find as much joy in your work as we do in ours — Happy New Year from all of us at NADAAA.

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PARRAMATTA: The Gemini Towers help to form a new skyline for Sydney, creating a new hybrid that engages the urbanism of the site.

PARCEL 9  DEVELOPMENT: Mixed-use block designed to create a public base with a residential and hotel mass above.

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Aesop East Hampton

Posted on January 2nd, 2014 by pmacdowell

Posted under: construction, Installations + Exhibitions, NADLAB

The carefully articulated textures of Aesop East Hampton leverage novel detailing to deliver a visually and tactilely engaging retail space. A band of digitally-fabricated pegboard shelving panels emerges from the  large window at the fore of the space, providing a flexible means of displaying product and embedding hidden Morse code messages.  A large soapstone basin with vintage garden taps sits on a steel base in the center of the room while the point-of-sale island anchors the rear of the space. The feature elements of the project were fabricated in-house at our Boston office and installed onsite by the NADAAA team.

01_beauty_newsThe completed retail space.

rhinoscriptingPatternCustom computer codes generate the varied peg-board pattern and hidden morse-code messages.

toolpathVisualizationThe CNC-cutting process for each wall panel is digitally simulated before fabrication.

_MG_0090Finished panels are staged in the shop, awaiting transport to the project site.

IMG_2210A specialized jig is used to cut the shelving pegs for the wall panel system.

IMG_0485Welding the steel base for the soapstone sink.

_MG_0095A timber mock-up representing the soapstone sink is used to evaluate faucet design.

solderingThe faucet hardware for the sink is soldered on site.

aesop-east-hampton-4-thumb-620x413-58808The custom soapstone sink is centrally located in the retail space.

_MG_0087The point-of-sale counter is fabricated in the shop, then disassembled for transport to the site.

EDIT01The point-of-sale island secrets the necessary retail electronics and tools behind a variation of the perforated scheme used on the walls of the store.

EDIT02The wall panels mounted to the wall with z-clips on furring strips.

aesop_eh_millworkinstall_17The wall panel system emerges from the window to wrap around the retail space.

aesop_eh_millworkinstall_04Corner detailing.

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02_beauty_news_1The pegboard pattern maps continuously over panel seams.  Shelving can be easily reconfigured to accommodate evolving product lines.

 

 

 

 

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DC House Construction Progress

Posted on December 25th, 2013 by Sia Herr

Posted under: construction, Things We Like

DC house windows being installed – both large and small panes, with the largest pane at 17’-6” X 7’-9”. The frame is Schuco curtain wall with black silicone inset frame binding the custom stepped double glazing system. The brick is original to the building, and therefore somewhat rough and rugged. Composed against the smoothness of glass, it is a desired contrast.

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This Is How You Add 444 sqm to A Building

Posted on December 23rd, 2013 by Nader Tehrani

Posted under: _Melbourne School of Design, construction

The cantilever on University of Melbourne FABP in the process of erection: a one week process. Soon hereafter, it will be covered by the same pre-cast panels as the rest of the building. The diagonal strut will remain exposed behind the layer of vertical louvers. Stay tuned!

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JWA in collaboration with NADAAA.  Photo credit: JWA

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Holiday Fun at NADAAA

Posted on December 20th, 2013 by Sia Herr

Posted under: Events

NADAAA opened up its entire studio to friends and family in celebration of the holidays and official opening of the Makers in the Making exhibit.  Click here for more photos from the event.

Gallery is open for public viewing from January 2-February 7, 10:00am-5:30pm. For large groups, please e-mail nada@nadaaa.com.

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Virtues of A Ruled Surface

Posted on December 18th, 2013 by Sia Herr

Posted under: _Daniels Building

In Shenzhen, Alexander D’Hooghe presents the virtues of a ruled surface to the Queen of Belgium using the University of Toronto Daniels Faculty of Architecture, Landscape and Design at 1 Spadina Crescent as an example.

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What is NADAAA?

Posted on December 16th, 2013 by Sia Herr

Posted under: Press

Nader Tehrani discusses the ins and outs of NADAAA in the current edition of MADE.

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Melbourne University Construction Progress

Posted on December 3rd, 2013 by achang

Posted under: _Melbourne School of Design, construction

Construction

 

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JWA in collaboration with NADAAA.  Photo credit: Multiplex

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An Appreciation for the Extraordinary

Posted on December 2nd, 2013 by Katie Faulkner

Posted under: Things We Like

On the heels of our current exhibit, “Makers in the Making”, I have been preoccupied by the difference between concept and action.  Dozens of times during the week I am struck by small ideas: a chair refurbishment, a fantastic tree house, a mobile kitchen island, a rock garden. These are concepts that could be enacted upon, and even completed within the space of a weekend, yet they never get done. Things get in front of them, or they are written on a sketchbook page and soon forgotten.

Fortunately there are those who are driven to make.  Dedee Shattuck opened an eponymous gallery in Westport, MA a few years ago. It is a lovely, peaceful architecture, situated at the edge of a wooded area  Click here to go to the gallery website. I make an effort to visit each season, less for the art (which is generally excellent) than for the calming effect of the space which is an oasis after a few days with the extended family. The gallery is directly behind a wonderful shop/cafe, and usually I can leave the kids with my parents and steal a few minutes with the paintings and objects currently on exhibit. But this time the boys were with me and the moment we entered, I knew it was a mistake.  Now they are old enough not to break or damage, but “WHO would pay FIVE HUNDRED AND FIFTY DOLLARS for THIS??!” came through loud and clear, thanks to the excellent acoustics. Dedee graciously suggested my children might prefer to run around in the wooded sculpture garden, which turned out to be the sanity saving activity of the day.

“Art in the Environment,” is an exhibition of work by faculty and graduate students from the College of Visual and Performing Arts at UMass Dartmouth. The setting is a winding path through a forest, where moss is still electric green among the brown leaves, and you cannot see the art until you happen upon it.  It is surprising to discover “Fall” by Russell Prigodich, an enormous leaf hovering in the air with no obvious means of support, and “Green Men” by  Ellen Lewis Watson, two hollow jackets floating without heads – a little bit “Blair Witch Trial” and a little bit Ichabod Crane, but somehow beautiful.  On your way out, you might miss Rob Greene’s “Down and Out” leaning against a boulder. It is a huge sad head made of sticks.

The strength to fully execute an idea is something to admire, and I suspect that architects can appreciate this as well as anyone.  Time and Money often seek to deny what was intended—and perhaps the bigger the idea, the more vulnerable it is to compromise.  Yet in spite of it all, some things make it through.  Enough people believed in an ICA, Community Rowing, Genzyme Center, and Hancock Tower to enable something remarkable to be built. And it is worth remembering that each time we consider renovation and/or development; it is easier to make something unremarkable, or to make nothing at all.  So within that context, I am grateful for those who would create beauty and provocation in a quiet back yard, for only a small audience to discover. And I ask myself if, as an architect, I am doing all that I
could?

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