“The transformational design walks a delicate line, as Tehrani admits, between framing the pieces—metallurgy, textiles, sarcophagi, statuary—in their correct capacity and giving the context its material specificity, without trying to upstage the work. […] But the project is part of a bigger discussion that rescripts the narrative of ancient cultures. By attempting to evoke these various realities through character, affect, color, materiality, and immersive space, NADAAA’s intervention enters into the complex discussion of what role a museum plays in today’s world.” – Patrick McGraw

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