Mathias Agbo Jr. recently interviewed Nader Tehrani and Moody Nolan’s Darius Somers on our collaboration for the new ANEC Galleries for The Metropolitan Museum of Art.
Rendering by NADAAA, courtesy of The Metropolitan Museum of Art
“For us at NADAAA, this is a new type of project entirely, and thus, it offers opportunities many other projects cannot… This has been an opportunity to put aside our authorship and look at the collection itself as the basis of inspiration: to build the project from the artifacts, and their relationship to their audiences.”
“The tower’s distinctive appearance stems from a brilliant combination of technical know-how to meet the structural requirements and ingenious artistic flair.” Read more from Luca Maria Francesco Fabris (including his comparison of Site 4 to a mochaccino!) in the current issue of The Plan HERE.
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Mark Lamster writes for Architectural Record: ‘The new Adams Street Branch of the Boston Public Library, which opened last summer in the working-class municipality of Dorchester, is pleasing (if a bit of an odd duck), a work of inventive geometries that fits neatly into its low-rise context. The library’s quirky form was the product of a lengthy community-design process, one that forced the architects, Boston-based NADAAA, to rethink its original proposal for the building. The stumbling block was a large oak tree at the north end of the site, which runs along Adams Street, Dorchester’s primary commercial strip. The Boston Public Library wanted it removed, to create a tabula rasa for the new building, and the architects followed that directive. The community, however, desired the tree to stay put, and made that clear in no uncertain terms. In turn, NADAAA founding principal, Nader Tehrani, embraced this “productive friction,” as he calls it, redrawing the plan with the tree as a focal point.’
NADAAA is happy to announce that ‘My House is Better than Your House’ has been released by ORO Editions. A special thanks goes to all who helped make this book happen!
‘The house is commonly used as a vehicle to get at larger architectural debates. Such is the case in this book, with a dialogue between Nader Tehrani and Preston Scott Cohen whose collaboration in academia has often resulted in two very different approaches to pedagogy. In this discussion, Tehrani draws from central themes within Cohen’s pedagogy to design a house as a response to the preoccupations that drive many of these debates. Adopting Villa Varoise as the main protagonist, the book draws on many architectures to situate the predicaments behind geometry, typology, and the architectural anomaly, among other things, as productive instruments for a broader cultural discussion on architecture.’
Purchase your copy HERE. For a limited time, the book is available at 20% off HERE.
Rendering by NADAAA, courtesy of The Metropolitan Museum of Art
NADAAA is pleased to announce our work with The Metropolitan Museum of Art to redesign their Ancient Near East and Cypriot galleries. NADAAA is working in collaboration with Moody Nolan on the $40 million, 15,000 square foot project. Our team is working closely with Museum construction leadership and curators Kim Benzel and Seán Hemingway to develop the design.
“At The Met, architecture serves as the cultural armature for the display of art. Nader Tehrani and NADAAA’s contemporary approach to materials such as clay and metal—which are foundational to the world views of both ancient West Asia and Cyprus—and their partnership with Moody Nolan, a firm renowned for their work with peer institutions and marginalized communities, make this team ideally suited for this complex project.”
-Jhaelen Hernandez-Eli, Head of Construction at The Met
“It’s an honor to be selected for this project, which will address the need for more diverse narratives in the displays of art from the Ancient Near East and Mediterranean regions. In bringing disparate layers of the Museum’s architectural history into dialogue, the proposed design hopes to bring the formal, spatial, and material properties of these galleries into alignment with The Museum’s mission. By working in collaboration with The Met’s curatorial and construction teams, we’ll be able to recondition these spaces while facilitating the connection between cultures, civilizations, and geographies to tell a whole new story.”
NADAAA is thrilled to announce our collaboration with Historic New England in an exploration of the Otis House Complex. The complex is located in Boston’s West End and is comprised of a 226-year-old mansion designed by Charles Bulfinch and two connected row houses built c. 1840. The original house is a National Historic Landmark and serves as a house museum with the row houses offering support spaces.
Otis House in 1911. (Public Works Department photograph collection, Collection 5000.009, City of Boston Archives, Boston/Public Domain)
“We’re excited about NADAAA’s understanding of the context and potential of Otis House, how it could become an exciting, fully civic gateway visitor experience for Historic New England, and play a meaningful role in the vitality of the neighborhood.”
-Vin Cipolla, President and CEO of Historic New England
“Beyond its importance for Boston, Otis House represents something for New England more broadly as it embodies a piece of urban fabric in all its facets: its architecture, interiors, furniture, and artifacts all tell a story that extends the social importance of a dynamic community that is always in a state of transformation. The diversity that is embedded in the site is an important reminder of who we are today, how we interpret our history, and moreover, how we allow this special institution to tell new stories to future generations. We strongly believe that the combination of strategic planning, creative programming, and thoughtful transformations will bring a renewed sense of relevance to this historic jewel.”
-Nader Tehrani
Read Historic New England’s press release HERE and read Architect’s Newspaper article HERE.
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“The morphological particularities of the body offer a productive clue via their engagement with architecture, if only that the interface between the human and its environment may begin with the body as a system of parts: the torso, limbs, digits or head all establish a special relationship with the built environment. With the hand as maybe one of the most dexterous instruments of intelligence, it is also the most prone to architectural engagement, not only in the tactility of surfaces around us, but in the mechanical protocols of hardware, instruments, and vessels that mediate between the human and its environment: doorknobs, pulls, flatware, cups, and many industrial design artifacts are the first registration of such encounters.”
Jonathon Anderson and Lois Weinthal’s new book Digital Fabrication in Interior Design: Body, Object, Enclosure has been released! The book includes an essay entitled “The Figure in Translation” by Nader Tehrani.
“Among the many tendencies that characterize design thinking, one stands out from a material perspective: in identifying a single medium through which to work, the architect is able to force invention from within a genre, and in doing so, to radicalize its ability to transform, evolve, and innovate. There is a seductive allure to the idea that one might entirely conceive of a project in cross-laminated timber”
Jennifer Bonner and Hanif Kara’s new book Blank: Speculations on CLT has been released and includes an essay entitled “Blank Shots: Monolithic Desires and Laminar Inevitabilities” by Nader Tehrani.
Last night Pratt’s GAUD hosted an informal Pratt Parallels entitled From House to Icon on Governor’s Island. The discussion was moderated by David Erdman and Deborah Mesa and compared and contrasted Marcelo Spina’s new book Mute Icons with Nader’s new book My House is Better Than Your House.
Our dear friend Carl d’Alvia’s tribute to Jackie Saccoccio, and Jackie’s last gift to Carl
Upstate Diary documents the life, love, and art shared by this couple, and in turn, the house they built together. In dialogue with Laurie Simmons, Carl speaks to the life they shared, the challenges of this project, and the friendships that survive. With love from all of us to Carl, Jackie, and Maddalena!
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