Cocktail Culture in the Press

Posted on June 19th, 2011 by Lisa LaCharité

Posted under: Installations + Exhibitions, Press

See a list of press and links for the Cocktail Culture:Ritual and Invention in American Fashion, 1920-1980 exhibition at RISD (open until July 31).

 

A Spirited Celebration of America’s ‘Cocktail Culture’ by Jacki Lyden NPR Weekend Edition Sunday

Highballs and High Art by Stephen Heyman for the New York Times Style Magazine

‘Cocktail Culture’ Toasts an Era of Elegance: RISD Museum of Art Show Concocts a Heady Mix by Sebastian Smee for the Boston Sunday Globe

High Society: Toasting Fashions of the Cocktail Hour by Tina Sutton for the Boston Globe Sunday Magazine

Fashion Intoxication: Vintage Dior Chanel and Party Decor at RISD Museum’s “Cocktail Culture” Exhibit by Casey Nilsson for Boston’s Blast Magazine

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Wall Street Journal/Boston: Culture Pop

Posted on June 18th, 2011 by Lisa LaCharité

Posted under: Press

Well known Bostonian creative-minded doers, such as Barbara Lynch (Owner/chef of restaurants including No. 9 Park, B&G Oysters,The Butcher Shop; owner of cocktail bar Drink), Jill Medvedow (director of the ICA) and our very own Nader Tehrani, list their favorite places to go in the Boston area.

 

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Stuff as Rhetoric lecture by Sir Peter Cook

Posted on May 18th, 2011 by Lisa LaCharité

Posted under: Lectures

See Sir Peter Cook give a lecture at the AA called Stuff as Rhetoric that includes Office dA work.

 

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MIT 150/ FAST Liquid Archive May 7-8

Posted on May 18th, 2011 by Lisa LaCharité

Posted under: Events, Installations + Exhibitions

[vimeo video_id=”23780482″ width=”500″ height=”350″ title=”No” byline=”No” portrait=”No” autoplay=”No” loop=”No” color=”ffffff”]

 

“Liquid Archive, a floating, interactive artwork, imaginatively extends MIT’s Killian Court beyond Memorial Drive into the Charles River, to celebrate the Institute’s 150th anniversary. Consisting of an inflatable screen anchored to a floating platform, it provides a backdrop for dynamic projections. Visible from the banks of the Charles, an hour-long program will feature several original artist proposals conceived in 1972 as part of the Charles River Project, a series of environmental artworks conceived by the designers, artists and scientists associated with MIT’s Center for Advanced Visual Studies. Liquid Archive will bring these projects to life and demonstrate MIT’s renewed commitment to creating an energy efficient environment and environmental art on a civic scale.”  http://arts.mit.edu/fast/liquid-archive/

Photos by John Horner and Nomeda Urbonas

Video by Judith Daniels/ SA+P

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Mocked-up: In Footnotes

Posted on March 27th, 2011 by Lisa LaCharité

Posted under: Installations + Exhibitions

While in common practice the architectural mock-up has mostly served to confirm design ideas, essentially facilitating the transition from representation to building, it is also potentially a speculative medium that can transform and generate architectural propositions. The various mock-ups, fabrications, and installations in the practice of Office dA attempt to do just that: serve as a vehicle for material experiments that challenge common industry building practices, test out emerging digital fabrication methods, and renew the theoretical interrogation of construction.

Several key venues have supported this agenda. The Fabrications Exhibition, curated by Terry Riley, helped launch the practice of Monica Ponce de Leon and Nader Tehrani. The Immaterial/Ultra-material Exhibition at the Harvard Graduate School of Design sustained this thread of research. The Ventulett Visiting Chair at Georgia Institute of Technology enabled Ponce de Leon and in 2005 and Tehrani in 2006 to work with students to develop a diverse and ambitious set of installations that brought pedagogy and practice into a productive alignment.

The mock-up on this wall is a work in progress: a layout of an eponymous book documenting the various installations in relation to material sciences, historical precedents, geometric analyses, disciplinary alliances, and also other Office dA projects that emerged from the research –multiple threads that weave a parallel narrative in the footnotes. The mock-up radicalizes material agency within a controlled framework; in turn, the architectural project presents the full array of design contingencies, from programmatic to structural mandates or from water-proofing to circulatory requirements. These provide friction, complexity and contradiction in the design process. The mockups and projects of Office dA together establish and exploit a link between pedagogy and practice. They underline the importance of the fabrication process as a transformative agent in architectural practice, while also bringing the building industry to productively bear on academic research.

 

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