Martha Schwartz and Markus Jatsch will be lecturing this Thursday, December 5th as part of the Ahmad Tehrani Symposium at MIT. The lecture will begin at 6 PM and is free to the public (registration required). It will also be available to watch on YouTube.
Monday, November 18th, at 5:00 p.m. Titled Woodpecker’s Delight, the lecture will revolve around formal, spatial, and material explorations that attempt to produce new forms of knowledge around wood.
Josephine Minutillo writes on NADAAA and HDR’s new addition to the University of Nebraska-Lincoln College of Architecture.
She writes: “What’s striking at UNL is the multidirectional, splayed running bond arrangement of the panels on the upper three levels. The angles 12-by-17-foot Kalwall sections open up yp 2-foot-wide, full-height windows allowing east-facing views from the studios to the museum, and west where throngs of Cornhusker fans pour in along the stadium promenade on game day. At the ground level, which includes an open fabrication court behind hefty, exposed-wood columns and diagonal bracing, a black protruding element — matching the dark upper floors — offers a front entrance along that north elevation, something the earlier building lacked.”
The National Academy of Design induction ceremony took place last night. Nader Tehrani was amongst 28 of his peers, all of whom were recognized and celebrated for their contributions to the fields of art and architecture.
Congratulations to the National Academy of Design class of 2024 Academicians.
Nader speaks to Sam Cochran on NADAAA’s ongoing renovations at the Met during a behind-the-scenes tour: “How can connections be made that overcome archeological penchants for divisions?” So asks Nader Tehrani, whose Boston-based firm was selected to renovate the 15,000 square-foot galleries for Ancient Near Eastern and Cypriot Art, slated to open in 2026. His design does just that, forging meaningful links among the cultures of this vast region. What had been a daisy chain of discrete rooms will be a continuous loop, with a toroid plan that eliminates walls and, with the addition of a ramp, improves accessibility. “The 19th century wanted to taxonomize everything,” Tehrani reflects. “History is never closed.” Vaulting, at turns rippling and broadly arching, will hint at chronological breaks and unify themes while nodding to ancient building technologies. Materials, too, break from neutral modernist tropes, with allusions to the lapis lazuli and bronze of artifacts. And four nonhierarchical entrances will extend dialogues to periods and places beyond the immediate galleries. “there are fluid connections from one space and one history to another.”
“Architecture as an Instruction-Based Art” is currently on view at Harvard GSD’s Druker Gallery. Curated by Farshid Moussavi, the exhibition features construction coordination drawings produced by architects around the world. Do not miss the chance to see NADAAA’s University of Nebraska-Lincoln drawing which is on view until October 15, 2024.
For more information on the exhibition click HERE.
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The National Academy of Design has elected Nader Tehrani as an Academician in the field of Architecture. The Academy, founded in 1825, is a leading honorary society for artists and architects in the United States. The Academy brings together a group of 450, a community of artists and architects selected by their peers in recognition of extraordinary contributions in the field of art and architecture, to “create a platform for the exchange of ideas and discussion in contemporary art and architecture.”
All newly elected Academicians are listed on the Academy’s website HERE.
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