AN’s Samuel Medina writes on NADAAA’s dual exhibits for La Biennale di Venezia 2021–that both happen to revolve around the potentials of CLT.
‘[The NADAAA] installations pursue opposing trajectories for CLT and, for that reason, should be taken together as a complementary pair. As Tehrani explained, whereas the portico is “a one-off that radicalizes, let’s say, the ‘figure’ of architecture,” its counterpart “suppresses it to instead explore how something as standard as a CLT panel can become the basis for mass customization.”’
Read on HERE.
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